That's a wrap on my last job and I get a marathon two weeks off before my next one. Yes, I'm going back to the tv show and I'm looking forward to reuniting with some good friends. One thing about a tv show is that when it's with good people, even with long hours and hard work, it's a little like coming home. I would like to have longer time off, but the way things are now, I'm glad to be working.
The movie was good. It was a rom-com with the added novelty of three babies to liven things up. This had the added effect of ratcheting up the tension while simultaneously increasing the size of my paychecks. Getting a 14 month-old to do anything on cue is impossible (unless crying is what you're after) and toward the end, a separate "baby unit" was created just for certain reactions. Otherwise, it was a completely positive experience (not to say the babies weren't great, they were sweet little girls, but watching an entire crew mug and wave at a screaming baby after 13 hours of "normal" work with adult actors, just so she'll look camera left and smile will throw anyone off the wagon).
I must put in a word for the director on this one. This guy knew the difference between a Steadicam and a Dolly Shot. He wasn't one of these guys who will just throw up the rig because he thinks it's faster. The result was a lot of really fun dance floor work. Unfortunately, these days, a lot of really elaborate shots will become Steadicam shots because a Director either doesn't know any better, or has never worked with a Dolly Grip who can pull them off. This led to a lot of fun and challenging work for myself and our really great Camera Operator, who was a joy to work with. We also did some really fun Technocrane work, and my thanks go out to Kenny, our head tech, and Mike, from Cinemoves.
One thing I learned, as hinted at in earlier posts, don't underestimate the power of roundy round. And be sure that you don't need a Peewee 4 before you put in the order. As a longtime Hybrid user, I had made it a point of pride to pull off shots without roundy, but it was a lifesaver on this one. I had made the decision, after consulting with the key, to just go with a Peewee 3 and use the savings in our budget to allow more toys and flexibility with the other dolly. As a result, a lot of shots I would have used the Peewee 4 on, I ended up having to bring in the Hustler just because of the roundy. This is the first time I've ever not had the Peewee 4 and regretted it. It all worked out, though, and actually made for a little more challenging show, which in some ways was fun.
The particulars: tools used- Hustler 4, Super Peewee 3, 50' Technocrane, 30' Technocrane, 15' Technocrane, Phoenix Crane, Fisher 23. Thanks also to B camera Dolly Grip Frank Boone for a fantastic job. This guy is a great Dolly Grip on his own, but came in as "B" on this show and really made my life easier.
Anyway, I'm back home and gearing up for the next one. I hope to post more frequently now, and may offer some guest posting opportunities to some of you guys if you're interested. Stay posted and drop a line anytime. We're always interested in any comments, ideas, or questions you may have.
PS- Unfortunately, I've had to enable word verification for comments because some jackass spam program has found us and is merrily selling Viagra and porn passwords through the comments section. I apologize for this. I hate it as much as you.
Sunday, November 29, 2009
Labels: Hustler 4, Peewee 3, Peewee 4, Phoenix Crane, roundy round, technocrane
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Hey D, good to see you back at your keyboard. Being back home ... does that mean Atlanta or LA ? I am typing this from Amsterdam airport enroute to Atlanta, so if you are there, a beer is definitely in order!!
- Sanjay Sami
Hey Sanjay, I sent you an email to the gripworks address. Hope your last show went well and travel safe.
OK, here's what might be a stupid question. I wasn't familiar with the Fisher 23, so I looked it up on their site.
The 9' version is available with a "short back" and a "long back". At first I assumed that the long back was a version that would take a heavier camera, but the payload for both is the same.
That being said, I can understand that you might want the short back for working in a tighter space, but why would anyone choose the long back?
the long back is very useful as it takes less weight to balance the crane, meaning less weights to carry to location.
also keeps your crane package total weight to a minimum making it easier to swing and of course you have extra leverage with the longer back also making it easier to swing.
i always use the long back when space is no problem.
What Tigger said.
Well that make sense.
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