Saturday, June 07, 2025

Session Players

  I'm up in New England doing a TV series. It's lonely. It rains a lot. And it's still cold a lot of the time. I'm going to talk about something that's been on my mind for several years now, which may seem a little strange, but, I've had a couple, so hear goes:

  I have a huge respect for the old school studio guitarists. Stay with me, this does tie in to Dolly Grips. Steve Lukather, Dan Huff, Tim Pierce, I've watched endless numbers of Youtube videos on these guys. These guys showed up for any given session in the 60's through the 90's, often not even knowing who the artist was whose record they were making. And they had to be perfect. Every time. Or they were gone. Just about any record you heard in those days from Micheal Jackson to Boz Scaggs had these guys on it. And their parts were often made up on the spot. The mastery of their instrument assured that they would be called back for the next record. 

   This is something that I've recently tried to bring out in the classes I teach to young Dolly Grips. You have to learn your instrument. Moving a camera isn't about going from one mark to another. Especially now in the digital world where we often roll on the first take. You have to be able to interpret instructions on the fly and make the shot happen the first time you do it. "Move right, boom up, push into a fifty-fifty" with no rehearsal. That's your job often these days. In the last few years, I've often thought about myself as one of those old studio guitarists. Learn it so well you can do it on the fly. And nail it in the first or second take. You're making music. Visual music, but music just the same. Learn your instrument. Learn it.

In the meantime, go to Youtube and type in "Steve Lukather", or "Dan Huff" or even "Glen Campbell" and learn about people who mastered their instrument. Then master yours.

From rainy New England, the Captain has spoken.

  


 

4 comments:

Sanjay Sami said...

Well said D ! Visual music is a great description !

Eric Fletcher said...

As I have always said you need to hear the music.

Michael Taylor said...

Bingo! And I say that as someone who, long ago on just a couple of jobs, was the absolute Worst Dolly Grip in the World. Fortunately for the film industry, I saw the light and stuck with juicing, which worked out better for everyone -- but the experience taught me to watch and appreciate the blend of man and machine that marks a good dolly grip on set.

And if anybody doubts what you say about those musicians, check out the 2008 doc on "The Wrecking Crew" -- it's a great and fascinating film.

https://en.wikipedia.org/wiki/The_Wrecking_Crew_(2008_film)

Anonymous said...

I remember when we did Neon Bible that’s what Terence Davies said to us on a crane move we were to do. Listen to the music in your head. There’s a value in speed and temperance to feeling a move. While finding the shot on take one especially!