Here's a tricky subject. Key Grips traditionally bring their own Dolly Grips. It makes sense since Dolly Grips are actually members of the Grip Department. Over the last few years however, I've noticed an uptick in the number of calls I get from camera operators checking availability. I haven't spoken to any of my colleagues about this but I would imagine they've noticed the same thing. Years ago, this never happened. In the last year alone though, I've done "B" camera on a show with my regular Key Grip because the operator brought his own guy from LA, and I've lost a show that the operator campaigned hard for me to get, but the Key Grip insisted on bringing his own guy. I should say at this point that I have no resentment whatsoever in either of these instances. I've been in both positions before. Although I would have liked to have done both of the jobs as "A" camera, in each case I understand why I ended up where I was and respect both decisions. The point I'm getting at is that in each case the camera operator had a Dolly Grip in mind and contacted him for the job. I think a couple of things are in play here: The huge demand for content has resulted in more production probably than at any time in history, leading to a shortage of Dolly Grips who are qualified to do the job; and more young Key Grips who don't understand the position and hire Dolly Grips who can't put the camera where the operator needs it. I hear over and over again nightmare stories from camera operators about their previous Dolly Grips. Guys who can't do compound moves. Guys who can't do dance floor moves. I heard a couple years ago about a Dolly Grip, "A" camera on a fairly large feature, who couldn't put the low-mode on. It was inevitable that operators would take matters into their own hands and build up a list of Dolly Grips that they know will get the job done and not make them look bad. I think this is a good thing. It goes a long way toward establishing us in producers' and directors' minds as not just an afterthought but as one third of the shot. Which we are.
Time to mix another one.